12/08/2010


Why I Am Not a Painter

I am not a painter, I am a poet.
Why? I think I would rather be
a painter, but I am not. Well,

for instance, Mike Goldberg
is starting a painting. I drop in.
"Sit down and have a drink" he
says. I drink; we drink. I look
up. "You have SARDINES in it."
"Yes, it needed something there."
"Oh." I go and the days go by
and I drop in again. The painting
is going on, and I go, and the days
go by. I drop in. The painting is
finished. "Where's SARDINES?"
All that's left is just
letters, "It was too much," Mike says.

But me? One day I am thinking of
a color: orange. I write a line
about orange. Pretty soon it is a
whole page of words, not lines.
Then another page. There should be
so much more, not of orange, of
words, of how terrible orange is
and life. Days go by. It is even in
prose, I am a real poet. My poem
is finished and I haven't mentioned
orange yet. It's twelve poems, I call
it ORANGES. And one day in a gallery
I see Mike's painting, called SARDINES.


O'Hara, Frank. Why I Am Not a Painter (1971). Sourced from http://wings.buffalo.edu/english/faculty/conte/syllabi/377/Frank_O'Hara.html

01/08/2010



Gidal, Peter and Frampton, Hollis. 'Interview with Hollis Frampton' October, Vol. 32, Hollis Frampton (Spring, 1985), p. 101.

28/07/2010



Beyer, Güther and Beyer, Klaus. Weimar (Weimar, Volksverlag, 1958), pp. 78-79.

23/07/2010



Costa, António. 'Examples of closed objects'. SCN Ray-tracing Format. Sourced from
http://local.wasp.uwa.edu.au/~pbourke/dataformats/scn/

19/07/2010



Eisler, Hanns. 'Fourteen Ways to Describe Rain'. Theodor, Adorno and Eisler, Hanns. Composing for the Films (New York and London, Continuum, 2007), pp. 108-109.

04/07/2010


Rainer, Yvonne. 'Selection of Slides from 'North East Passing','. 'Three Distributions'. Aspen, No.8, The Fluxus Issue. Ed., Dan Graham, designed by George Maciunas (Aspen Communications Inc., New York, 1970-71). Sourced from http://www.ubu.com/aspen/aspen8/threeDistributions.html