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Break Inactive object: RayFire Tool will fragment and brake Inactive objects on their first collision with Impact or Unyileding objects.
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5.2 Reactor Demolition. Sourced from: http://www.mirvadim.com/onlineHelp/5_2_Dml.html

A.Saha (NOAO)/WIYN/NOAO/NSF. Mini-mosaic imager on-line at WIYN.

Sourced from http://www.noao.edu/image_gallery/html/im0591.html

Logan, Scott. More of the Great Bear|s Deep Sky Objects

Sourced from http://sanantonioskywatch.com/SkyWatch.php?ArticleID=167

Magritte, Rene. Querelle des universaux, (1928). Sourced from http://www.centrepompidou.fr/education/ressources/ENS-Surrealisme/Images/Magritte-XL.jpg

Magritte, Rene. The Apparition, (1928). Sourced from http://www.pep-web.org/document.php?id=psar.096.0801a.fig002.jpg

"080262 equals February 8, 1962, the date when the work was calculated by the 7090. As Xenakis has commented, the IBM 7090 has served his music well by advancing his goal of creating ". . . a form of composition which is not the object in itself, but an idea in itself, that is to say, the beginnings of a family of compositions."

Xenakis, Iannis. ST/10=1-080262 for Ten Instruments (1956-1962) (band 2 - 12:1O). Sourced from http://www.analogartsensemble.net/labels/Iannis%20Xenakis.html

Boertje, Y. Studio Report: Drums, (Saturday June 2nd, 2007). Sourced from http://www.arjenlucassen.com/ayreon/drumreport.html

VERSUCH. Object (edit). London, 2010.

Why I Am Not a Painter

I am not a painter, I am a poet.
Why? I think I would rather be
a painter, but I am not. Well,

for instance, Mike Goldberg
is starting a painting. I drop in.
"Sit down and have a drink" he
says. I drink; we drink. I look
up. "You have SARDINES in it."
"Yes, it needed something there."
"Oh." I go and the days go by
and I drop in again. The painting
is going on, and I go, and the days
go by. I drop in. The painting is
finished. "Where's SARDINES?"
All that's left is just
letters, "It was too much," Mike says.

But me? One day I am thinking of
a color: orange. I write a line
about orange. Pretty soon it is a
whole page of words, not lines.
Then another page. There should be
so much more, not of orange, of
words, of how terrible orange is
and life. Days go by. It is even in
prose, I am a real poet. My poem
is finished and I haven't mentioned
orange yet. It's twelve poems, I call
it ORANGES. And one day in a gallery
I see Mike's painting, called SARDINES.


O'Hara, Frank. Why I Am Not a Painter (1971). Sourced from http://wings.buffalo.edu/english/faculty/conte/syllabi/377/Frank_O'Hara.html

http://www.youtube.com/watch?v=NjBh9ld_yIo

Gidal, Peter and Frampton, Hollis. 'Interview with Hollis Frampton' October, Vol. 32, Hollis Frampton (Spring, 1985), p. 101.